Showing posts with label process. Show all posts
Showing posts with label process. Show all posts

Oct 23, 2013

My first ever publishing job

Finally, after exactly 12 months of waiting, the first even publishing job I worked on has been released. 
YESSS!!
It's called Twas the night before Christmas, published by Ladybird in a board book format with sound. 

I still remember when I got the news from my agency, Good Illustration agency
They found me this job right after signing with them (I can't remember exactly but probably the same week!) and of course I was thrilled but also a bit scared and anxious at the same time. 
Gosh, my first publishing gig!

I was still studying at the time, finishing off the last term of my illustration diploma.
Luckily, everything went really smooth, the Ladybird people were really nice to work with, they gave me lots of tips and suggestions to make the artworks better. 

Here it is some of the original art I created for the book (only my favs!)
I will be able to share the actual book pics with text when I get my copies... hopefully soon!

And here it is the link to the Ladybird book page where you can buy the book! 





I must say, seeing this illustrations after one year, I feel like I would do some things differently. Hopefully this is a sign I've matured and learned some things along the way.
But generally speaking, I am pretty happy how they turned out. I still think I did a pretty funny and jolly Santa Claus!:)

And since I like to see other people's processes, I decided to add also some rough sketches I did during some early version of it. It's interesting to see how the layout in some has really changed!






Aug 21, 2013

Illustration process - the country house

About a month ago my mom requested me an illustration for her 52nd birthday. 

She didn't request anything specific, so I had the pleasure to do pretty much whatever I wanted. 
After a quick brainstorming and mind mapping, I had my concept: an illustration about the country house she grew up in. With a twist, of course:)

Well, drawing a building is fairly difficult for me so the first thing I did was gathering some reference. 
I went onto Google maps and got the photos of the building with the street maps. Thank god for stalking technology!:)
Here the photos 




These were a great reference, since I could see exactly how the building is structured and all sorts of details, which is something I couldn't have done just drawing from memory. 

(Btw, looking attentively at these photos made me figured out things about this building I had never ever noticed in all my life. That's one of the best part of being an illustrator... you have to look!)

Anyway, from here I've started to produce the first rough sketches



A bit less rough...


The final line work

And the finished piece.




Finally, I got it printed. I used photographic paper instead of art paper just because it's more resistant and easier to pack in a tube and send on the other side of the world. 


She received it. She liked it. Mission accomplished!

Aug 8, 2013

Some process sketches

I've just realised I've probably never shared this little process of mine.
I always love looking at processes of my favourite illustrators. It's like going into behind the scenes of your favourite show...




Jun 23, 2013

My process - How I create artworks

I've got lots of people asking me how I create my artworks.
Often people are not even sure if I work digitally or traditionally and this is something always surprises me because I think it's obvious.

So that's way I've decided to write a tutorial where I show my process.
I love reading other people work process and I always find it incredibly interesting. Hopefully somebody will find interesting mine!:)

So first thing I do is drawing onto paper.
When I have my sketch ready, I trace the final drawing using a light box.
I don't really use any particular paper, but I prefer drawing on slightly rough paper just because the lines gets a bit more textured.



Then I scan my artwork and open it in Photoshop.
I adjust contrast using the levels (image > adjustment > levels). Usually I use these settings (but it really depends... so play with it!)



Then I separate the white background from my lines, so that I can treat them separately afterwards. I learned how to do this using a wonderful tutorial from the awesome Dani Jones.
She's an American illustrator and comic artist and her website is packed with amazing tutorials and tips. I SERIOUSLY recommend to go onto her website and check them all. In particular, this tutorial here will explain exactly how to separate your lines from the background.

After doing that, I usually do a colour rough. I always find this step really difficult... colours are so tricky!

To tackle this critical step, I usually get inspiration from websites such as Colour Lovers when you can browse lots of different palettes created by users.
Otherwise I like to use Colour Scheme Designer to help me find good colour combinations.
Also, I look online for photos that have the colours and the mood I want to use for my illustration and I go from there.

Once I decided which colours I'm going to use, I start painting my piece.
I paint an element at the time. Each element is on a different layer, so it will be easy later on in case I want to make changes.
I start with adding just a flat colour.



After that, I add darks and highlights.
They go on different layers as well. These layers are linked to the corresponding flat colour in a way that a clipping mask is created.
To do this, it is very easy: press OPTION on a mac keyboard (ALT for Windows users) and position the mouse in the middle of the two layers you want to link together.
You will see that an arrow and a white squared will appear.


Click and you will see that the upper layers will be magically linked to the first underneath.
This means that everything you draw in the top layer will stay between the edges of the first one.
In case you need more info about this step, please have a look at the Dany Jones tutorials... I learnt this from her too! Here the tutorial.



To paint my darks and highlights over the flat base, I use a textured brush. I like to use a mix of brushes that you can find in the Photoshop presets (or you can create your own! I don't... because I'm extremely lazy ç____ç).



I like to keep everything organised (I need to since I can end up having more than 100 layers!) and so I like to create folders to keep all the layers of an element together.



I also like to use textures in order to make my piece look more organic.
I really love using watercolour or paper textured because I reckon they spread colours very nicely.



There are heaps of websites where you can download free high-res textures, here a few:
http://lostandtaken.com/
http://subtlepatterns.com/
http://cgtextures.com/

Once I've painted everything, I take care of lines.
I like to colour the lines with a similar but slightly darker tone.
In order to be able to affect the lines only, you need to select the lines layer and press the little square right above the layers near the word Lock.


Once the layer is locked, you will be able to paint the lines of your drawing without affecting anything else.


Ans that's it! DONE



I hope you will find this tutorial helpful.

Happy drawing!:D

May 4, 2013

Speed painting

While waiting for the release of my first illustrated app created in in collaboration with Blue Quoll, here you are a video of me painting one of the story's spreads. 

Enjoy!